The recent events at the Vatican have put me in the mind of Rome. During school, I spent three weeks there taking a drawing class. We went in early summer, which must be the most beautiful time of the year to be in Italy. We went nowhere but Rome, and ended up learning it pretty well. Here are some drawings from my sketch book. We studied all kinds of architecture, from ancient to Fascist to modern. The modernism was my favorite to see, but the older buildings were the best to draw. Good thing Rome has both.
This is the temple of Antoninus and Faustina in the forum. Over the centuries the structures of roman antiquity were slowly buried by layers of urban refuse. The streets literally rose around the buildings, swallowing the lower stories. Because of this many buildings are built directly on top of older ones, sometimes in bizarre ways. At San Clemente two churches, one Medieval and one Renaissance, were both stacked onto a first century Roman temple. Here, the Christian church S. Lorenzo was inserted directly into the ruins of the ancient temple. At the time the church was built, the ancient columns were half buried. The forum has since been excavated leaving the door to the church hanging halfway up the ancient pillars.
One of two twin buildings marking the Piazza del Popolo. A strange perspective occurs at this piazza. Three major streets begin here and diverge radially. From the right spot you can see perfectly down each one at the same time.
This church marks the end of the Papal Way, the holy route of the pope through Rome. The nave of this church is kinked slightly near the altar. It was done purposefully by the Renaissance masons in recognition of mankind's imperfection. But I think if they had to go out of their way to create imperfection, it defeats the purpose in a pretty clear way, am I right?
The bridge leading to the Castel Sant' Angelo is lined with statues, such as this one. It is apparently the first instance of statuary ever intended to be seen three dimensionally. Until then, statues were always placed in niches, or along walls.
I saw this fresco of a swan at the Villa Giulia, a Renaissance Villa with beautiful gardens.
The Castel Sant'Angelo was built in the second century by the Emperor Hadrian. It was later turned into a war fortification, and then a prison. It is where Tosca leaps to her death in the opera Tosca. You can climb to the top and have a clear view of the Vatican.
We were charged by our professor to map the Piazza Navona using only our natural paces. Mine was not so accurate.
These mosiac patterns were at Constatine's tomb for his daughter. In a church nearby were ancient catacombs, creepy and deep. One of many names engraved in stone in the underground darkness was Athanasia next to a simple drawing of a bird. I like to think Athanasia was a small girl beloved by her family.
Here's a Roman renaissance house that breaks the line of the street wall, pushing out, advertising the prominence of the family who once lived there.
When we visited, the entire church was mired in scaffolding except for the altar.
This is a drawing of a statue found in the Vatican Museum, which is really just a collection of centuries' worth of plundered riches.
Santa Maria del Pace is a church with beautiful cloisters. From there you have only to raise your head slightly to see the cupola.
This mosiac was one of many mythical sea creatures depicted in tile and stone near one of the fountains in the gardens.
Motorini struck fear and joy into my heart at the same time. Some were shiny and chrome plated, others were visions of pastel creaminess, all were driven at breakneck speeds through the crowded winding streets of Rome.
The Piazza Navona was near our apartment, and so was the starting point of many of our walks.